Free PDF Preventive Photoshop: Take the Best Digital Photographs Now for Better Images Later, by Douglas Ford Rea
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Preventive Photoshop: Take the Best Digital Photographs Now for Better Images Later, by Douglas Ford Rea
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How many times have you said, “I’ll just fix it in Photoshop”? And then you discover that “fixing” an image means hours in front of your computer. Wouldn’t it be better — and easier — to take the time to shoot your digital photographs correctly in the first place and minimize the back-breaking hours hunched over a keyboard? Preventive Photoshop shows you how to shave hours off your computer time by learning essential photographic techniques that, when coupled with Adobe Photoshop, let you create professional-quality images. According to author Douglas Ford Rea, the key is knowing which problems are more easily solved before the shutter is clicked rather than after the files are downloaded. By understanding image fundamentals like lighting, white balance, and color correction, you’ll begin to “think in Photoshop.” You’ll learn:
- How to eliminate image noise for sharp-looking images
- Why shooting camera raw yields the best image results
- How to color manage your camera and your computer
- Why in-camera sharpening must be turned off
- How to read histograms and highlight warnings
- Why previewing images on your camera LCD is misleading
- How to create a camera-to-computer feedback loop
- Sales Rank: #4476070 in Books
- Published on: 2006-12-28
- Original language: English
- Number of items: 1
- Dimensions: 9.15" h x .37" w x 7.50" l, .88 pounds
- Binding: Paperback
- 168 pages
About the Author
Douglas Ford Rea has been a member of the faculty at the Rochester Institute of Technology since 1976, where, as the Chair of the Photo-journalism Depart ment, he also pioneered programs in digital imaging and publishing. As a photographer, Rea has had over 30 exhibitions of his work. Professor Rea lectures extensively on topics in digital photography and concept-to-press workflows. Rea is also very active as an industry consultant. He frequently presents seminars and custom programs on related projects. Rea’s professional photographic specialty is motor sports.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Read the Best Photography Books; don't bother with this one
By LT Beasimer
As a serious Digital SLR photo-hobbyist, I often look at my abilities and try to find weaknesses so I can improve. Currently I am focusing on my Photoshop skills. When I saw this book, I thought I could focus more on the Photoshop basics and creative technique, instead of skills related to correcting my photographic mistakes.
Chapter one starts off with "How many times have you heard the phase `I'll just fix it in Photoshop,' and then discovered that `fixing' an image means hours in front of your computer? ... Wouldn't it be better - and easier - to take the time to shoot the photograph right in the first place". The questions asked right at the beginning is what this book is supposed to be about, and I want to know the answers. Unfortunately the next 151 pages (excluding the index pages) fail to provide the answers I am looking for. Chapter one for example is 6 pages long excluding the opening statement page and contains a more detailed opening statement and discusses lighting, tones and toning, special effects, and sharpening, and a closing summary. These are some pretty weighty topics to split up between six pages. Unfortunately the entire book takes this approach.
There was not enough detail in the subjects for a beginner to gain a full understanding and was too generalized for an experienced photographer to learn from. I can honestly say I didn't learn a thing from reading this book. There are some topics I am interested in exploring, however my interest was not created from reading this book. The topic list is very thorough, but discussed too briefly to be of any benefit on its own.
I would recommend finding a book with a more specific subject to learn from. Brian Peterson's Understanding Exposure for the novice or Real World Camera Raw with Adobe Photoshop CS2 by Bruce Fraser for interest in workflow and working with RAW files comes to mind as excellent books to learn from.
PROS:
Offers a thorough list of topics that may pique interest in specific areas
CONS:
Topic discussions to generalized to be helpful for beginner or knowledgeable photographers
Fails to answer the questions, posed by the author
Provides a broad overview with no useful detail
2 of 3 people found the following review helpful.
Preventive Photoshop: Take the Best Digital Photographs Now for Better Images Later, by Douglas Ford Rea
By James R. Lowell
Preventive Photoshop is an unusual book that can be read quite differently by readers of different experience levels, both in photography and Photoshop. For the novice, Douglas Rea offers a very broad overview including photographic equipment, camera capabilities, picture taking advice, and the uses, abuses and potential of Photoshop. For the advanced amateur, Mr. Rea goes into significant detail on his own methods of image making and post-shoot Photoshop enhancement (including the use of Raw capture). And for the professional (or professional aspirant) he provides more technical information on lighting and light theory, the use of computers as adjuncts in image capture and the types of equipment suitable for studio vs. field photography. In short, Mr. Rea has written a photography guide that--since it not tied to a particular version of Photoshop--will stand the test of time as each reader advances in his or her photographic skills.
Although this is not essentially a Photoshop book--Mr. Rea does recommend how to set up Photoshop preferences, workflow, and color management. Rather, Preventive Photoshop is a guide that strongly suggests photographers learn and understand the capacity and limitations of Photoshop, so they can spend more time with their cameras and less with their computers. His topics include proper exposure, lighting, camera settings and in-camera effects. He also goes into image evaluation and the use of metadata and preparing images for output (to print or the Web).
Although this is not a light read, Mr. Rea provides clear examples and excellent images to illustrate all the concepts he presents. I recommend this book for anyone who wants to delve more deeply into using his or her camera more effectively, and into creating images that can most successfully be later enhanced in Photoshop.
James Lowell
Jacksonville, FL
4 of 5 people found the following review helpful.
Save your money...
By J. Jack Flash
This is the most useless book on photography and Photoshop I have ever read. So much so, that it compelled me to write my first ever book review for Amazon.
The title implies the book will focus on camera techniques that will make image correction in Photoshop unnecessary, or at least easier. I found nothing that even came close to being helpful. This is ironic given that in the last few pages of the book he refers to a phrase he coined, "Photoshop Think", meaning to shoot with Photoshop in mind. A good concept, but there were no concrete examples of any shooting techniques and how they would relate to Photoshop in post-production.
The book in my view is nothing more than a shallow overview of digital photography and Photoshop in general. It describes general definitions and considerations in digital camera technique, and gives an overview of the capabilities available in Photoshop, but goes into no useful detail whatsoever.
This book might be of interest to someone who knows absolutely nothing about digital photography and Photoshop, to provide an overview of what they are all about. If you already own a digital camera and can use it, and if you have any experience at all with Photoshop, look elsewhere.
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